Gigantick Laughs and Heart at Zuppa Theatre

Pictured: Susan Leblanc-Crawford and Stewart Legere

Friday night was my first Zuppa Theatre experience, and I have to be honest, I wasn't sure what to expect. Even for an arts aficionado such as myself, "theatre" can be a bit intimidating, especially going to see a "play" rather than, say, a popular musical. There is an implication that the experience is going to be very intellectual, maybe even so deep that you will walk out of the theatre unable to process what you just saw. 

This was not the case for me after seeing "The Attaining Gigantick Dimensions". I walked out with a smile on my face and a comfort that none of us are alone in our experiences.

The title of this play is appropriate because it deals with a lot of big subjects - death, grief, trauma, separation, isolation, love. But it is also an oxymoron because the play deals with tiny things, too; i.e. the little moments that make up the majority of most of our lives - the conversations with friends, the house parties, the spontaneous day trips. The characters in the play deal with all of these things - big and small - all at once, separately and together. And like all of us, they deal with them as best they can - on their own and together.

Each of the actors held my attention for different reasons - Stewart Legere (Martin) for his endearing awkward immaturity; Susan Leblanc-Crawford (Alice) for her protective yet snarky big sister vibe; Ben Stone (Frances) for his unassuming air punctuated with inner sadness; and Katie Dorian (Robin) for her vivacious energy. I enjoyed watching each and every one of them and was glad to see that they each got their moment to shine. Surprisingly, the dialogue of the play was really funny - the characters had me laughing out loud at their various one-liners.

My favourite part of the show, however, was how the story was told. The miniature buildings and their interchangeable roles created an amazing dynamic and made the props almost like cast members in their own right. It was so creative to use them not only as set pieces, but as containers and hiding places for the cast, as well as a backdrop for the various projections, including moving people, photos and video of the cast members own faces. There was always something to look at it, always something happening but it didn't take away from the story or the dialogue - it all moved together seamlessly. I was amazed at the energy and fitness of the actors in that they were on the stage for the entire two hours, always participating, and that they could scrunch themselves up into various positions!

The sounds were as incredible as the sets - the scenes where the 'gang' visits Peggy's Cove and the soundtrack of waves crashing and wind screeching made me feel like I was actually standing out there myself. The sounds were a bit TOO loud at times, making it hard to follow the words of the cast, but I love how they completely filled up the entire room and enveloped me.

As someone who has lost loved ones to sudden death, I could relate to the feelings of grief and sadness that Frances and Alice felt about their father. At one point, Alice says something about the silver lining being that they have time to say goodbye and process his death, and this really spoke to me because agree completely. And I agree because I know what it's like to lose someone and not have that chance. To be left with questions and loose ends untied. That made the play all the more profound for me.

We all go through things - gigantic and miniscule - but that's the point - that we ALL go through them. The good thing is that when we do, we have laughter and the support of friends and family to help us get through another day. We are not alone in the world.

*Added note-Apr16th: Wondering where the 'unique' name of the play came from? Well, according to the Zuppa Facebook page, "...the title The Attaining Gigantick Dimensions comes from a list by scientist/alchemist Robert Boyle, in the 1660s, of the most pressing problems for scientists to tackle." Hmm, neat! As my boyfriend would say, "the more you know"*

The Glace Bay Miners' Museum

Last week I had the pleasure of attending the opening night of the Neptune play, "The Glace Bay Miners' Museum" (missed my review of "Bingo!"? Check it out here).

I went into this play a tad 'blind' - I knew it was the story of a woman living in Cape Breton who falls in love with a man named Neil Currie. I knew that the story was also covered in the mid-90's movie, Margaret's Museum, but have never actually gotten around to seeing the movie or reading much about it. That is basically ALL I knew when I sat in my theatre seat to enjoy the production. In the end, I was actually glad that I went in with few expectations and no knowledge of what was to come - it certainly made the last part of the 2nd act a shocker for me!

(I don't want to give away too much of the plot, in case there are others out there like (past) me who are not aware of it, but suffice to say there is a dark twist that makes the title of the play all make sense!)

What I do want to impart, however, is how much I enjoyed this production. Although the story of Margaret and her family is rather grim overall, I found myself smiling and laughing a lot throughout. Not to mention the actors were all fabulous in their roles.

Francine Deschepper was a lovely mix of sweet and sassy as Margaret. I found her slight quirkiness, social awkwardness, big heart and sharp tongue to be very endearing. She was an interesting mix of childlike innocence and cynical adult, and she really portrayed the sense that she loved her home but at the same time wanted to break out of it and see and do more.

I could hardly take my eyes off Gil Garratt, who played Neil Currie, throughout the production. There was a ton of chemistry between him and Deschepper and their love story warmed my heart. And how many talents can one person have?! As Neil, he plays bagpipes and violin and sings beautifully (in gaelic, no less). He is somebody who is completely himself and doesn't care what anyone has to say about it. I would challenge anyone to not listen and be inspired by his passion when the fire of injustice ignites within him and he espouses his opinions.

Martha Irving infuses Margaret's mother with a great booming voice and a cantankerousness that belies the hardship she has endured in life. You get the sense that she carries a lot of anger, yes, but a lot of pain and regret behind it. And I think Grandpa made the audience laugh the most out of any character, and he did so without saying any words!

I loved the set - and I mean "set", singular (there is only one). I thought the use of a single set made sure that you focused directly on the characters and their nuances, no distractions. The space was used very creatively as well, with the haphazard wooden steps and platforms serving as the family's home, the wharf, a cliffside field and a diner.

The giant looming house silhouetted against the sky was gorgeous - the light coming through the windows, shining through sparkly fabric, gave the structure a dreamlike and slightly ominous feel at the same time. Considering the titular museum is housed inside this house, it makes sense that the set would impart this mix of feelings!

I am always impressed with Neptune's productions and I always leave with a feeling of warmth and a racing mind and this play was no exception! Visit the Glace Bay Miner's Museum today if you can!

Neptune Scores With "Bingo!"

I don't think I have ever had a bad experience at Neptune Theatre. Seriously. Even so, I don't recall ever laughing quite as much as I did a couple of weeks ago, when I attended a performance of their new play "Bingo!".

I know what you are thinking, and no, this is not a play about a dog with a cool "name-o", nor does it involve anything glow-in-the-dark. It is actually "The Big Chill" transferred to a Cape Breton town - a group of middle-agers gather together to attend their 30-year high school reunion, re-hash old memories, stereotypes and neuroses and discuss new ones. Some of them have stayed put, some have moved on (to Halifax, and Western Canada), both literally and figuratively. All have regrets and "what-if's?" and they have all changed, yet haven't changed a bit at the same time.

First we are introduced to the male's of the group (left-to-right) - Dookie, Nurk and Heifer (in traditional guy fashion, they have given each other silly and slightly derogatory nicknames - silly boys) - in their hometown hotel room, drinking (duh) and talking about their lives. Heifer is a chubby, laid-back jokester; Nurk is a neurotic and slightly uptight engineer; Dookie is an arrogant real estate agent.

Next, we see the girls - Boots and Bitsy - chatting in a local bar about...well, everything (y'all, Bitsy talks A LOT). "Boots" is a tough-talking, leather-jacket-wearing sarcasm machine who clearly covers up her own insecurities with biting comments. "Bitsy" is a slightly ditzy and simultaneously a chatterbox and a shy introvert.

Later, the fivesome comes together and sparks fly, secrets are revealed and new connections are made. (I don't want to reveal too much of the plot because you should go see it for yourself). Leave it to a play set in Cape Breton to be named after a drinking game!

The play has a very simple set-up - there are only two sets, and all scenes consist of the characters basically sitting around and talking. Characters only wear one outfit throughout the entire play, there is no music except during the changes in scene, and few props (except an ever-present bottle of Jagermeister). But the dialogue is rapid-fire and absolutely hilarious. The audience the night I went was practically rolling in the aisles. The cast not only delivered the lines perfectly, but they each had a knack for conveying things through a simple facial expression. I probably enjoyed Heather Rankin's performance the most (she clearly has great comic timing), as I felt she had some of the funniest expressions and body language, plus I felt I could relate the most to her character. However, all the cast were perfect in their roles and pulled me into their individual character, making me laugh at them, feel sorry for them and admire them in sequence.

At the beginning of each scene, one of the main characters would stand at the front of the stage, in a spotlight and deliver a monologue that usually either revealed something about their character or about the next part of the play. They shared an anecdote, a thought or two and sometimes a great piece of advice or a profound insight about life in general. I loved these "intros" -  parts that particularly stuck with me were Boots' comments about happiness and what it means ("How can you know what happiness is, until you know what it isn't?") and Bitsy's story about an old man in her community who is her "hero" and who makes her feel less invisible and insignificant.

So, in a nutshell, the funny dialogue alone is enough reason to go see Bingo! (imho) but in addition you may end up coming away with an insight or two into life in general and your place in it, and isn't that what theatre is all about?